This scene emphasizes Beneatha's naivete about African culture, for although she is wearing the Nigerian robe and headdress, she is "fanning herself with an ornate oriental fan" and inadvertently appears more Asian than African. Walter, however, is crushed by Mama's news to him, Mama has "butchered his dream." Ruth cannot contain her happiness at the thought of their finally being able to move out of the overcrowded apartment. Mama returns unexpectedly and announces to Travis especially - and also to Walter and Ruth - that she has put a hefty down payment on a house in an all-white neighborhood. He gets into a heated debate with her over the history and heritage of black people, all of which he belittles as insignificant, and then he antagonizes Walter by dismissing Walter's attempts to discuss his "big" business plans with him.Īfter George's exit, Walter Lee and Ruth reminisce about their early days together and contrast their early dreams and warm feelings for one another, compared to now, when they seem to be slipping away from one another. The doorbell rings suddenly, and George Murchison arrives for his theater date with Beneatha. Walter comes in, after having had a few too many drinks, and joins in Beneatha's ritualistic dance.
Later that Saturday, dressed in her new Nigerian robes and headdress, Beneatha dances to African music while simultaneously giving Ruth an impromptu lesson in its significance.